‘Dancing like flowers in a garland’
At celebrations and commemorations during the winter months, young men and women from Chhattisgarh's Gond community travel together to perform the Hulki Mandri and Kolang dances, and sing Rela songs
March 30, 2021 | Purusottam Thakur
Whipping and worship on Mumbai's streets
Lakshman Katappa and his family, who belong to the Dhegu Megu SC community of Kodambal village in Karnataka and worship Goddess Mariyamma, dance and whip themselves to earn a living
March 10, 2021 | Aakanksha
Daivas, dance and divine intervention
In this centuries-old ritual event in Karnataka's Dakshina Kannada and Udupi districts, impersonators tell stories of forgotten heroes from Dalitcommunities, solve disputes, and provide catharsis
July 30, 2020 | Nidhi Shetty
Terah Taali: the dance of the 13 cymbals
Nirmala Devi, her daughter Tara, and their all-women group are accomplished dancers, known for their signature Terah Taali sequence. Every evening, they ascend the stage in Udaipur's Bagore ki Haveli
September 20, 2019 | Urja
Charubala: joy and Jhumur, sorrow and song
In Senabana village of West Bengal's Purulia district, 65-year-old Charubala Kalindi, who has danced as a nachni for decades, still whips up a high-energy performance along with her rasik and their troupe
July 19, 2019 | Abhijit Chakraborty
Cycles, costumes, colour
October 23, 2018 | Purusottam Thakur
Performing Ramkatha in a changed Ayodhya
During the Dussehra month, the ragtag Ramkatha Singing Party dashes off from stage to stage, before returning to their day jobs, even as the retelling of the epic is engulfed by contemporary politics
October 19, 2018 | Joydip Mitra
Heckled, harassed, still dancing
For the female dancers in Mangala Bansode’s tamasha troupe in rural Maharashtra, work brings a steady income, but also entails sexual harassment, gruelling schedules, no privacy, and even childbirth on the move
August 29, 2018 | Vinaya Kurtkoti
A rich night of Dashavatar improvisations
In Dashavatar performances – a centuries-old theatre form of south Maharashtra and north Goa – plays of several hours, with only male actors, most of them farmers and labourers, keep audiences riveted till dawn
May 8, 2018 | Indrajit Khambe
Possessed by his art, a Bahurupi transforms
Raju Chowdhury of West Bengal's Bishaypur village is a storyteller, a feverish singer, an impersonator. His income is modest, the work is hard. This film features his stunning dance as the imaginary Tara sundori
March 23, 2018 | Sinchita Maji
Pulling the last of the strings
Puppeteers in Prakasam district of Andhra Pradesh are struggling to keep their art form alive – with its rich tradition and history – despite no help from the state and the takeover of ‘entertainment’ by television
March 21, 2018 | Rahul Maganti
The art and the agony of Subhash Shinde
PARI volunteer Sanket Jain aims to traverse 300 villages across India and, among other stories, produce this feature: a photograph of a rural scene or event and a sketch of that photograph. This is the fifth in the series on PARI.
February 19, 2018 | Sanket Jain
Tamasha: transformed but still travelling
Changes in technology, in audience tastes, shrinking performance spaces – have all impacted the tamasha. Troupe owners have mixed feelings – is the tamasha in danger or will Mangala Bansode's art form survive?
December 7, 2017 | Vinaya Kurtkoti and Shatakshi Gawade
‘Tamasha is like a jail that I want to stay in’
The tamasha remains popular in rural Maharashtra, where many see it as a more stable form of livelihood than agricultural labour, though profits are lean and the schedule is gruelling. One of the biggest troupes is run by Mangala Bansode, who received a National Award in the Creative Arts category yesterday, October 9
October 10, 2017 | Vinaya Kurtkoti and Shatakshi Gawade
Dancing to the dollu in Hesaraghatta
Young women on the outskirts of Bengaluru excel at a Kannada drum-and-dance form long thought to be a skill for burly men. In the video here, watch the group perform with extraordinary energy and rhythm
November 14, 2017 | Vishaka George
Bahurupi: a family of many faces
Bahurupi artists in West Bengal easily metamorphose into different characters during a performance, but are finding it hard to change their work roles with changing times
January 20, 2017 | Ankan Roy & Sagarika Basu
The dance of the false-legged horse
Poikkal Kuthirai dancers of Thanjavur, Tamil Nadu, struggle to make a living from their ancient folk art form
October 13, 2016 | Aparna Karthikeyan
The Bhils of Alirajpur
Across the villages of Alirajpur, many of them now denuded and barren and with few livelihood options, the Bhils struggle to retain their farming and cultural practices
July 14, 2016 | Rohit Jain
Drums, bagpipes and Choliya dance
Choliya troupes in Uttarakhand integrate Scottish bagpipes into rural Indian music
April 2, 2016 | Yashashwini Raghunandan & Ekta Mittal
Pung
This traditional drum of Manipur's Meitei community is central to their culture, and to spectacular music and dance
December 31, 2015 | Anubha Bhonsle & Sunzu Bachaspatimayum
Storytelling the Kattaikkuttu way
Student artists in a unique school of education and theatre art in Tamil Nadu
November 13, 2015 | Namita Waikar
Hanging by a thread
Delhi’s old colony of puppeteers is in a state of flux, with threats to the land, housing and social structures
December 18, 2014 | Urvashi Sarkar
Kali dances - Karagattam
July 20, 2014 | Aparna Karthikeyan
Kali dances – Thappattam
Watch Kali Veerapadran – perhaps the only male dancer who has mastered the classical dance form Bharatanatyam, as well as three ancient Tamil folk dance forms – in a riveting performance
July 20, 2014 | Aparna Karthikeyan
Kali dances - Oyilaatam
July 20, 2014 | Aparna Karthikeyan
Kali: the dancer and his dreams
'I want to set up a dance school, I want to earn money, I want to look after my mother, I want to dance'
July 16, 2014 | Aparna Karthikeyan
