Aayna

Pratishtha Pandya

Editor

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Dum-dum-dum…dum-dum-dum…! The almost hypnotic sound of dholaks being made and tuned and toned to perfection follows you through every lane of Shanti Nagar basti. We are walking along with a 37-year-old dholak maker, Irfan Shaikh.  He is to introduce us to other artisans of this migrant basti in Mumbai’s northern suburb.Almost all the artisans here trace their ancestral roots to Barabanki district in Uttar Pradesh. There are about 50 of them here in the trade.  “Wherever you see, you will find our biradari [community] busy crafting these instruments,&quot; he says, proudly proclaiming that it is from here that the dholaks travel around Mumbai and other parts of the state. (Biradari literally translates as ‘brotherhood; but is more often used to denote clan, community or fraternity).

Irfan has been immersed in the trade from childhood. The craft of making these medium-sized double-headed drums passes down through generations. The process is meticulous. Irfan and his community handpick materials from Uttar Pradesh, selecting everything from the wood to ropes and paints. “We make it ourselves; we repair it…we are the engineers,” he says with some pride.Irfan is very innovative. He has expanded his production to include the djembe, a musical instrument he discovered after seeing an African play it in Goa. “What a great instrument. People hadn&#39;t seen it here,” he recalls.Innovation and craftsmanship aside, he feels the profession has not brought him the respect he deserves. Nor has it brought great profit. In today’s Mumbai, dholak-makers face stiff competition from cheaper online sales. Here on the other hand, customers often bargain and assert that they can find cheaper alternatives online.“Those who play dholak, have their traditions. But in our communities, we do not play it, we merely sell,” says Irfan. Religious restrictions do not allow this community of artisans to play the instruments they are making. Yet, they craft these dholaks for customers who play them during the Ganesha and Durga Puja festivals.

There are women in the basti who love to play the dholak and sing but none of them either make, sell, or even play the dholak professionally out of respect for religious norms.“This work is good but it’s not interesting as there is no business. There is no profit. There is nothing today. Yesterday I was on the road. Today also I am on the road,” says Irfan.

Crafting the beats: Dahisar’s karigars

دہیسر میں کمزور پڑتی ڈھول کی تھاپ

தாளங்களை வடிவமைக்கும் தாகிசாரின் கைவினைஞர்கள்

ਸ਼ੋਰ-ਸ਼ਰਾਬੇ ਵਾਲ਼ੇ ਸ਼ਹਿਰ ਵਿੱਚ ਪਿੱਛਾ ਕਰਦੀ ਢੋਲ਼ਕੀ ਦੀ ਅਵਾਜ਼

ତାଳ କାରୁକଳା ପ୍ରସ୍ତୁତି: ଦହିସରର କାରିଗର

ദഹിസാറിലെ കരകൌശലക്കാർ - താളം നിർമ്മിക്കുന്നവർ

ಗದ್ದಲದ ನಗರದಲ್ಲೊಂದು ನಾದದ ಅಂಗಡಿ

दहिसर में थमती ढोलक की दम-दम

તાલને તૈયાર કરતા દહીંસરના ઉસ્તાદો

धुन गढ़त दहिसर के कारीगर

दहिसर के ढोलक इंजीनियर आ उनकर जेम्बे

দাহিসারের ঢোলক কারিগরদের কথা

গলিয়ে গলিয়ে ঢোলৰ মাত, পিছে দহিছৰৰ কাৰুশিল্পীহে দুশ্চিন্তাত

दहिसरचे कारागीर आणि ढुम ढुम ढमाक

Mumbai

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Crafting the beats: Dahisar’s karigars

Irfan Shaikh and his community reside in the bustling lanes of Mumbai’s Dahisar. They keep the age-old tradition of dholak-making alive against modern-day challenges. A film showcasing Irfan and his time-tested craft

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