Keshav Waghmare

Medha Kale

Translator

Labani Jangi

Illustration

large_Edited-95_Shahir-Atmaram-Salve_-spreading-the-sparks-of-revolution_Keshav-.jpg

medium_Edited-95_Shahir-Atmaram-Salve_-spreading-the-sparks-of-revolution_Keshav-.jpg

small_Edited-95_Shahir-Atmaram-Salve_-spreading-the-sparks-of-revolution_Keshav-.jpg

thumbnail_Edited-95_Shahir-Atmaram-Salve_-spreading-the-sparks-of-revolution_Keshav-.jpg

Edited-95_Shahir-Atmaram-Salve_-spreading-the-sparks-of-revolution_Keshav-.jpg

After Dr. B.R. Ambedkar emerged on the horizon of Indian politics, shahirs, poet-singers, played a significant role in publicising and disseminating his movement for enlightenment in all corners of Maharashtra. They explained his life, his message and his role in the Dalit struggles – all in a language that anyone could understand. The songs they sang were the only university for Dalits in the villages, and it was through them that the next generation met Buddha and Ambedkar.

Atmaram Salve (1953-1991) belonged to a cohort of shahirs, who, in the turbulent ’70s, were introduced to Babasaheb’s mission through books. Salve’s life became all about Dr. Ambedkar and his message of liberation. His illuminating poetry shaped the two-decade-long Namantar Andolan – the movement to rename Marathwada University after Dr. Ambedkar, which had turned the Marathwada region into a battleground of caste wars. With his voice, his words, his shahiri, Salve carried the torch of enlightenment against oppression, walking the villages of Maharashtra on his two feet without any means. And thousands would gather to listen to Atmaram sing. He would say, “When the name of the university is officially changed, I will write Ambedkar’s name in golden letters on the university’s entrance arch.”  Shahir Atmaram Salve’s fiery words inspire Marathwada’s Dalit youth in their struggles against caste oppression to this day. Sumit Salve, a 27-year-old student from Phule Pimpalgaon village in Beed district, says “even an entire night and an entire day won’t be enough” to describe what Atmaram means to him. Paying homage to Dr. Ambedkar and Atmaram Salve, Sumit presents a stirring song by Atmaram, exhorting the listener to follow Ambedkar’s path and give up the old ways. Provoking his audience with the question “How long will you wrap yourself in the age-old blanket?” the shahir reminds us, “With the Constitution as his canon, your saviour Bhim broke the shackles of slavery”. Listen to Sumit sing the song.

This video is part of a collection titled ‘Influential Shahirs, Narratives from Marathwada’, a project implemented by India Foundation for the Arts under their Archives and Museums Programme, in collaboration with People’s Archive of Rural India. This has been made possible with part support from Goethe-Institut/Max Muller Bhavan New Delhi.

Inspired by Ambedkar: Salve's liberation song

આંબેડકરથી પ્રેરિત સાલ્વેનું આઝાદી ગીત

ਅੰਬੇਦਕਰ ਦੀ ਰਾਹ ਤੋਂ ਪ੍ਰੇਰਿਤ : ਸਾਲਵੇ ਦਾ ਗੀਤ

ಅಂಬೇಡ್ಕರ್ ಸ್ಫೂರ್ತಿ: ಸಾಳ್ವೆಯವರ ವಿಮೋಚನಾ ಗೀತೆ

আম্বেদকাৰৰ দ্বাৰা অনুপ্ৰাণিতঃ ছালভেৰ মুক্তিৰ গীত

அம்பேத்கர் மீதான ஈர்ப்பு: சால்வேவின் விடுதலைப் பாடல்

అంబేద్కర్ స్ఫూర్తితో: సాల్వే విముక్తి గీతం

ଆମ୍ବେଦକରଙ୍କ ଦ୍ୱାରା ଅନୁପ୍ରାଣିତ: ସାଲଭେଙ୍କ ମୁକ୍ତି ସଙ୍ଗୀତ

বাবাসাহেবের আদর্শে দীক্ষিত শাহির সালভে বাঁধেন মুক্তির গান

आंबेडकर की राह पर चलने का आह्वान करते साल्वे के गीत

അംബേദ്ക്കറിൽനിന്ന് പ്രചോദിതനായി സാൽ‌വേയുടെ വിമോചനഗാനം

امبیڈکر سے متاثر: سالوے کا نغمۂ آزادی

आंबेडकरांनी भारलेले साळवेंचे मुक्तीगान

Beed

At present, we can only accept donations in Indian rupees by Indian citizens. All donations made to the CounterMedia Trust are eligible for exemption under Section 80G of the Income Tax Act, 1961. Here is a copy of our exemption certificate.


India is bigger than New Delhi. And people need to know more about the rest of this vast nation.


Younger, media-saturated generations are growing up knowing little about their country, but a lot about the elites of a few metros and towns. For a narrowly-owned, commercially-driven media, the dumbing down of a nation is part of standard operating procedure. The last available data of the Centre for Media Studies (CMS, Delhi) show us that reports from New Delhi account for 66 per cent of news on the front pages of major dailies. The CMS data also found that just about 0.24 per cent of front page news came out of rural India. The TV channels are not much better.PARI exists to change that.We are a non-profit organisation. We publish under creative commons, and do not charge readers a subscription fee or put-up advertisements. Nothing is behind a paywall and we are completely free-to-access by anyone. We guard our independence and receive no direct grants from governments and corporations, nor any funding that could dictate our content. So, we are dependent on volunteer labour, donations from individuals, foundations and institutions that see value in independent and free media.PARI is changing the way Indian journalism reports and documents the rural.India is more than the elite of a few metros and towns. We report on rural lives and livelihoods, languages, communities, migrants and more. We need your help to pull off this most ambitious of Indian journalistic endeavours. The scale of this effort costs money. Donate generously - and spread the word about PARI.&nbsp;

Donate FAQs


ہمارے بارے میں جانیں

پاری میں آپ کا خیرمقدم ہے

گے۔ اگر آپ کو ہمارا کام پسند ہے، تو آپ ہمارے رضاکار بن کر ہمارا تعاون کر سکتے ہیں یا ہماری مالی مدد کر سکتے ہیں، تاکہ ہم اپنا کام جاری رکھ سکیں۔

Want to republish this article? Please write to <a href="mailto:zahra@ruralindiaonline.org" target="_blank" rel="noopener noreferrer">zahra@ruralindiaonline.org</a> with a cc to <a href="mailto:namita@ruralindiaonline.org" target="_blank" rel="noopener noreferrer">namita@ruralindiaonline.org</a>

Inspired by Ambedkar: Salve's liberation song

On Ambedkar Jayanti, Shahir Atmaram Salve’s poetry exhorts the listener to give up the old ways and follow the path shown by Babasaheb

Related stories

Kali: the dancer and his dreams

Suicides are about the living, not the dead

Hoisa Shigmo!

Spice and all that's nice

A bitter harvest

Visible Work, Invisible Women: an online photo exhibition

No Free Kicks in Meerut

Visible Work, Invisible Women: To market, to market … (Panel 7)

Visible Work, Invisible Women: And gathering their lives (Panel 6)

Visible Work, Invisible Women: A lifetime bending (Panel 2)

Visible Work, Invisible Women: Bricks, coal and stone (Panel 1)

Visible Work, Invisible Women: Home again, home again … (Panel 8)

Kali: the dancer and his dreams – film

Films coming up on PARI

Visible Work, Invisible Women: Women and work in rural India (video)

Kali dances - Oyilaatam

Baked earth

Making real news matter

Visible Work, Invisible Women: Mud, mothers, ‘man hours’ (Panel 4)

Visible Work, Invisible Women: Cleaning up! (Panel 9B)

Kali dances – Thappattam

Kali dances - Karagattam

P. Sainath introduces PARI

Kali introduces PARI

Visible Work, Invisible Women: A field, but not one’s own (Panel 3)