Siraj Momin can’t afford to make an error. One slip and he could lose the Rs. 28 he gets per metre of cloth. He must precisely maintain the number of warp and weft threads. So he looks through a magnifying glass now and then to inspect the weave. And, over the course of six hours, presses the handloom’s two pedals 90 times a minute – or 32,400 times a day. His foot movements close and open the harness, a rectangular frame with 3,500 wires or heddles (this number varies in different machines). The warp thread wound on the metallic beam passes through these wires with the steady foot movement. From this feat emerges a fabric that has 80 warp and 80 weft threads per inch – one metre of it every hour.
Siraj, now 72, has been doing this for more than half a century, since he was 15. His handloom though is nearly twice as old, a family heirloom made of a century-old sagwan (teak) wood. On it, for 57 years, Siraj has choreographed the creation of fabric – the handloom requires a skilled weaver like him to simultaneously scan the thread, coordinate hand-leg movements, and ensure that the fabric has the required number of warp (longitudinal) and weft (transverse) threads.
Only two handlooms, each nearly seven feet tall, now stand in Siraj’s house. He once owned seven, and even hired labourers to operate some of them. “There was a lot of work till the late 1980s,” he says. Three decades ago, he sold three looms to buyers in other villages for Rs. 1,000 each, and after a while donated two to a non-governmental organisation in Kolhapur city.
In Rendal, his village of 19,674 people (Census 2011) in Hatkanangle taluka of Kolhapur district, three generations of Siraj’s family have sat at the handloom, spinning out fabric. After clearing Class 8 around 1962, Siraj too picked up the craft of weaving from his father’s sister, Halima. She was one of the few woman weavers in Rendal. Most other women in the village would hand-spin the thread which was used as weft – as did Siraj’s wife Maimuna, many years later.















