Rubel Sheikh and Anil Khan are driving...but they are nowhere near the ground. They are approximately 20 feet up on an almost perpendicular 80 degree incline. The big crowd at the mela in Agartala is cheering them on. Rubel and Anil reach out of the car windows and wave.

They are performing at a maut-ka-kuan (well-of-death) act – multiple stunts using a car and bikes driven vertically up the ‘wall’ or sides of the stage.

The performances are broken up into 10 minute-long shows, and continue for hours. The arena is a well-like structure made with wooden panels and takes a few days to set up in melas (fairs). Most of the riders are also involved in setting up, the mechanics of the stage being critical to the show and their safety.

Ominously titled as ‘ maut-ka-kuan’, it is one of many attractions at this mela for Durga Puja in October 2023 in Agartala, Tripura. Other attractions include a ferris wheel, merry-go-round, toy-trains.

The riders are also the ones setting up the well-like structures. Here Pankaj Kumar (left) and Rubel Sheikh (right) are working on the set-up for a mela for Durga Puja in October 2023 in Agartala, Tripura
PHOTO • Sayandeep Roy

The riders are also the ones setting up the well-like structures. Here Pankaj Kumar (left) and Rubel Sheikh (right) are working on the set-up for a mela for Durga Puja in October 2023 in Agartala, Tripura

A few last minute adjustments being made as the mela prepares to open soon
PHOTO • Sayandeep Roy

A few last minute adjustments being made as the mela prepares to open soon

“We can drive any car on the wall, but prefer the Maruti 800 because the windows are big and it’s easy to get out [during performances],” says stuntman Rubel. He says they also use four Yamaha RX-135 bikes: “We use old bikes but keep them well maintained.”

From Malda, West Bengal, he heads the group and owns the vehicles. Rubel says he has used these same motorcycles for more than 10 years now but, “they get serviced regularly.”

The events draw young boys from rural areas. Describing how he got into this event, Mohammed Jagga Ansari from Jharkhand’s Godda district says, “I used to like it when such fairs came to my town in my childhood,” and so he joined a circus as a young boy, initially helping out with small tasks. “Slowly, I started to learn how to ride,” says the 29-year-old performer, adding, “I like that I get to travel to so many places because of this work.”

Pankaj Kumar, who is from Warisaliganj, a village in Bihar’s Nawada district and also started young: “I left school after Class 10 and started learning to ride.”

Like Ansari and Pankaj, the other performers and those who construct the area and stage are from across India and move with the group to different melas . They usually stay in tents close to the fair where they are performing. Some like Rubel and Ansari travel with their families, while Pankaj goes back home when there is no work.

Twenty-nine year-old, Ansari from Jharkhand's Godda district collects money from a spectator’s hand while holding a bunch of notes in his mouth during the act. He says, ' what people give us during the act is our primary source of income'
PHOTO • Sayandeep Roy

Twenty-nine year-old, Ansari from Jharkhand's Godda district collects money from a spectator’s hand while holding a bunch of notes in his mouth during the act. He says, ' what people give us during the act is our primary source of income'

Work for the maut-ka-kuan begins with setting up the well-like structure. “It takes somewhere between 3-6 days to set it up but this time we didn’t have much time so we had to complete it in three days,” Rubel says, adding that they do it slower if they have the time.

Finally it’s show time and at around 7 p.m. the crowd in Agartala starts lining up to buy tickets – priced at Rs. 70, and free for children. Each performance lasts for 10 minutes with at least four people performing stunts on two cars and two motorcycles. They perform at least 30 times in one night with 15-20 minutes of break in between.

At this mela in Agartala the show became so popular that they extended their performances from five days to an additional two.

“Our daily wage ranges from Rs. 600-700, but what people give us during the show is our primary source of income,” says Ansari. In a good month with many performances, they could earn up to Rs. 25,000.

Rubel points out that the show can’t be held throughout the year: “It is difficult to do this show during the rainy season.” When this work cannot be done, Rubel goes back to his village and farms.

Pankaj brushes off the dangers of this risky performance: “I am not afraid of the risks. There is nothing to be afraid of, if you are not afraid.” The group recollects that there have been no deadly accidents in the time they have worked.

“I love the happiness in the crowd when we perform,” says Rubel.

The wooden panels that make the wall of the ‘well’, laid out in the fair-ground. They are hoisted 20 feet up on an almost perpendicular 80 degree incline
PHOTO • Sayandeep Roy

The wooden panels that make the wall of the ‘well’, laid out in the fair-ground. They are hoisted 20 feet up on an almost perpendicular 80 degree incline


Jagga Ansari (right) sets up the tent right behind the puja pandal. This is where the group lives during the mela
PHOTO • Sayandeep Roy

Jagga Ansari (right) sets up the tent right behind the puja pandal. This is where the group lives during the mela


Pankaj Kumar (black tshirt) from Warisaliganj village in Bihar's Nawada district sets up the audience gallery while Rubel Sheikh helps
PHOTO • Sayandeep Roy

Pankaj Kumar (black tshirt) from Warisaliganj village in Bihar's Nawada district sets up the audience gallery while Rubel Sheikh helps


A group of people haul up the pole on which the tent cover rests after the structure is complete
PHOTO • Sayandeep Roy

A group of people haul up the pole on which the tent cover rests after the structure is complete


Four Yamaha RX-135 bikes, used in the act, are kept beside the makeshift camp where the riders live during the mela days. Rubel Sheikh says he has used these same motorcycles for more than 10 years now but are well-maintained and 'they get serviced regularly'
PHOTO • Sayandeep Roy

Four Yamaha RX-135 bikes, used in the act, are kept beside the makeshift camp where the riders live during the mela days. Rubel Sheikh says he has used these same motorcycles for more than 10 years now but are well-maintained and 'they get serviced regularly'


Jagga Ansari (left) and Pankaj Kumar (right) pose for a portrait inside the ‘well of death’ with one of the bikes they ride during the act
PHOTO • Sayandeep Roy

Jagga Ansari (left) and Pankaj Kumar (right) pose for a portrait inside the ‘well of death’ with one of the bikes they ride during the act


The entrance to the fair-ground is marked with multiple makeshift stalls selling different kinds of products
PHOTO • Sayandeep Roy

The entrance to the fair-ground is marked with multiple makeshift stalls selling different kinds of products


The maut-ka-kuan is one of many attractions at this Durga Puja mela in October 2023 in Agartala, Tripura. Other attractions include a ferris wheel, merry-go-round and toy-trains
PHOTO • Sayandeep Roy

The maut-ka-kuan is one of many attractions at this Durga Puja mela in October 2023 in Agartala, Tripura. Other attractions include a ferris wheel, merry-go-round and toy-trains


Maut-ka-kuan tickets sell for RS.70-80, which they decide depending on the crowd, but children are allowed to attend for free
PHOTO • Sayandeep Roy

Maut-ka-kuan tickets sell for RS.70-80, which they decide depending on the crowd, but children are allowed to attend for free


The fair-ground, as seen from the maut-ka-kuan audience gallery
PHOTO • Sayandeep Roy

The fair-ground, as seen from the maut-ka-kuan audience gallery


Each act, lasting 10 minutes each, involves at least riding two bikes and cars on the wall; sometimes three bikes are used as well
PHOTO • Sayandeep Roy

Each act, lasting 10 minutes each, involves at least riding two bikes and cars on the wall; sometimes three bikes are used as well


A spectator takes a video of the act. Consistent favourites, this show became so popular at this mela that they extended their performances from five days to an additional two
PHOTO • Sayandeep Roy

A spectator takes a video of the act. Consistent favourites, this show became so popular at this mela that they extended their performances from five days to an additional two


A family takes a photo with Pankaj Kumar, Jagga Ansari and Anil Khan after a performance
PHOTO • Sayandeep Roy

A family takes a photo with Pankaj Kumar, Jagga Ansari and Anil Khan after a performance


Rubel Sheikh plays with his son after an act. Usually, the riders take a break of 15-20 mins between two acts. They perform at least 30 times in one night
PHOTO • Sayandeep Roy

Rubel Sheikh plays with his son after an act. Usually, the riders take a break of 15-20 mins between two acts. They perform at least 30 times in one night


Pankaj Kumar during a performance. He says, 'I left school after Class 10 and started learning to ride'
PHOTO • Sayandeep Roy

Pankaj Kumar during a performance. He says, 'I left school after Class 10 and started learning to ride'


Pankaj Kumar rides out of a small gate at the end of a performance
PHOTO • Sayandeep Roy

Pankaj Kumar rides out of a small gate at the end of a performance


'I love the happiness in the crowd when we perform, says Rubel
PHOTO • Sayandeep Roy

'I love the happiness in the crowd when we perform, says Rubel


Rubel points out that the show can’t be held throughout the year. When this work cannot be done, Rubel goes back to his village and farms
PHOTO • Sayandeep Roy

Rubel points out that the show can’t be held throughout the year. When this work cannot be done, Rubel goes back to his village and farms


Sayandeep Roy

ಸಯನ್‌ದೀಪ್ ರಾಯ್ ತ್ರಿಪುರಾ ರಾಜ್ಯದ ಅಗರ್ತಲಾದ ಸ್ವತಂತ್ರ ಛಾಯಾಗ್ರಾಹಕರು. ಅವರು ಸಂಸ್ಕೃತಿ, ಸಮಾಜ ಮತ್ತು ಸಾಹಸದ ಕಥೆಗಳ ಕುರಿತು ಲೇಖನಗಳನ್ನು ಬರೆಯುತ್ತಾರೆ ಮತ್ತು ಬ್ಲಿಂಕ್‌ನ ಸಂಪಾದಕರು.

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Editor : Sanviti Iyer

ಸಾನ್ವಿತಿ ಅಯ್ಯರ್ ಅವರು ಪೀಪಲ್ಸ್ ಆರ್ಕೈವ್ ಆಫ್ ರೂರಲ್ ಇಂಡಿಯಾದ ಕಂಟೆಂಟ್‌ ಸಂಯೋಜಕಿ. ಅವರು ಗ್ರಾಮೀಣ ಭಾರತದ ಸಮಸ್ಯೆಗಳನ್ನು ದಾಖಲಿಸಲು ಮತ್ತು ವರದಿ ಮಾಡುವ ವಿದ್ಯಾರ್ಥಿಗಳಿಗೆ ನೆರವು ನೀಡುವ ಕೆಲಸ ಮಾಡುತ್ತಾರೆ.

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Photo Editor : Binaifer Bharucha

ಬಿನೈಫರ್ ಭರುಚಾ ಮುಂಬೈ ಮೂಲದ ಸ್ವತಂತ್ರ ಛಾಯಾಗ್ರಾಹಕರು ಮತ್ತು ಪೀಪಲ್ಸ್ ಆರ್ಕೈವ್ ಆಫ್ ರೂರಲ್ ಇಂಡಿಯಾದ ಫೋಟೋ ಎಡಿಟರ್.

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