The cracks were all over the media. Every day she read a new story  with updated numbers about her sinking town atop a mountain in Chamoli district. Media persons kept pouring into the villages to gaze at the cracks, and at the protests welling across  towns. She had refused to move out of her small house last week when they came asking  people to leave their houses Let them kick her out. She was not afraid.

The cracks were more of a sign, she thought, of a strange greed that had tunnelled its way through the village. The new projects and roads that kept invading the mountains were not the only invasions. There was something else, far deeper, that was wrong with the world. The divide was in place already. They had cut themselves off from nature, from the gods of the earth, while chasing a new dream dangling from a mountain vine. That vine though was magical. In pursuit of that illusion, who was to be blamed?

Listen to Pratishtha Pandya read the poem

PHOTO • Labani Jangi

Cracks

It did not happen in a day.
Fine, hairline cracks had
remained hidden,
like the early white strands of her hair,
or the lines under her eyes.
Small fissures between the village
and the mountains, forests, rivers,
had survived
imperceptible from a distance.
When the slightly larger cracks appeared,
slowly and steadily, she thought,
she could still fix those –
a small wall here
some soft plaster there,
like birthing a couple of children
to keep things from falling apart.

But then giant ones appeared,
staring her in the face
through the mirror-like walls,
brazen, unflinching, unforgiving
eyes of Narasimha.

She knew their shapes, directions –
horizontal, vertical, stepped,
the special places where they grew –
beds of mortar between bricks,
in the plasterboard, on the brickwork,
in foundation walls, and soon
it was not Joshimath alone.
She saw them spreading, like the pandemic,
across the mountains, the nation, the streets,
reaching the land beneath her feet,
covering her beaten limbs, her spirit.

Too late to leave now
Nowhere to go
The gods had upped and left.

Too late to pray
too late to hold on to old beliefs
too late to save anything.
Futile to fill those cracks with sunlight.
This exploding darkness
like molten shaligrams ,
unknown rage, a deep-seated hatred
was devouring everything.

Who had thrown the cursed beans
in the valley behind her house?
She tried to remember.
Or did pests get to this creeper
with its roots in the sky?
Whose palace could be atop this venomous vine?
Would she recognise the giant if she were to meet him?
Would  her arms still have the strength
to wield an axe?
Where does one look for salvation ?
Exhausted, she tried to sleep, one more time,
letting her wide-open eyes climb
up and down
in a dreamlike trance,
the magical beanstalks
growing on the old walls.

Pratishtha Pandya

प्रतिष्ठा पांड्या, पारी में बतौर वरिष्ठ संपादक कार्यरत हैं, और पारी के रचनात्मक लेखन अनुभाग का नेतृत्व करती हैं. वह पारी’भाषा टीम की सदस्य हैं और गुजराती में कहानियों का अनुवाद व संपादन करती हैं. प्रतिष्ठा गुजराती और अंग्रेज़ी भाषा की कवि भी हैं.

की अन्य स्टोरी Pratishtha Pandya
Illustration : Labani Jangi

लाबनी जंगी साल 2020 की पारी फ़ेलो हैं. वह पश्चिम बंगाल के नदिया ज़िले की एक कुशल पेंटर हैं, और उन्होंने इसकी कोई औपचारिक शिक्षा नहीं हासिल की है. लाबनी, कोलकाता के 'सेंटर फ़ॉर स्टडीज़ इन सोशल साइंसेज़' से मज़दूरों के पलायन के मुद्दे पर पीएचडी लिख रही हैं.

की अन्य स्टोरी Labani Jangi