Ufaq Fatima

Swadesha Sharma

Editor

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It
has been 30 years since Abdul Kumar Magray last wove pattu.
He is among the last weavers of this woollen fabric known to stand up to
Kashmir’s harsh winters when temperatures drop to below -20 degrees Celsius.

“I used to weave 11 metres in a single day,”
recalls the 82-year-old who has lost most of his sight. Making his way
carefully across the room, he places a hand on the wall to guide him. “When I
was around 50, my eyesight weakened due to excessive weaving.”  

Abdul
lives within view of the Habba Khatoon peak in Dawar, a village in
Bandipore district with a population of 4,253 people (Census 2011). He tells us
that now there are no active pattu
artisans but, “until almost a decade ago, in the winter months, every household in
the village would weave garments for sale in spring and summer.” 

Some of the garments Abdul
and his family would make for sale in Srinagar and even other states included pheran
(a traditional gown-like upper garment), dupathi (blanket), socks
and gloves. 

But despite Abdul’s love for his craft,
sustaining it today is not easy as the raw material – wool, is no longer
readily available. Weavers like Abdul used to keep sheep and get the wool to weave pattu from the animals they raised.  Around 20 years ago, he says, sourcing wool
was easy and cheap since his family owned around 40 t0 45 sheep. “We used to
make a good profit,” he recalls. Currently, the family owns only six sheep.

Habibullah Sheikh and his
family, from Dangi Thal village of the Tulail valley in
Bandipore district, left the pattu business
about a decade ago. He says, “Earlier there was a culture of keeping sheep. Each
household used to have at least 15-20 sheep that lived with the family – on the
ground floor.”

But that has changed, points out 70-year-old Ghulam Qadir Lone, one of the few active weavers from the village Achura Chowrwan (also known as Shah Pora), also in Bandipora district. 
“The climate in Gurez has changed over the last decade. Winters have
become very harsh. This has affected the growth of grass which is the primary
fodder for sheep. People have given up rearing large flocks.”

Abdul Kumar was around 25 when he first started weaving pattu.
“I used to help my father, and mastered the craft over time,” he says. The art
has been passed down in his family for generations, but none of his three sons
have taken it up. “Pattu mai aaj
bhi utni hi mehnat hai jitni pehle thi, magar ab munafa na hone ke barabar hai
[Pattu requires the same amount
of effort it did before, but the profits are next to nothing],” he explains.

When Abdul initially began
weaving, a metre of pattu fabric sold
for Rs. 100. With time, the
rates have only increased. These days, a metre is priced at around Rs. 7,000. But despite the high prices of
the finished product, the profits for the weavers have become negligible as the
yearly costs of rearing sheep are consistently higher than annual sales of pattu.

“Weaving pattu is an art of precision. A wrong
placement of even a single thread can mess up the whole piece. One has to begin
afresh,” says Abdul. “[But] the hard work is worth it because the warmth of the
fabric is incomparable in a cold region like Gurez.”

Artisans
use a chakku, a wooden
spindle roughly the size of a person’s hand, to transform the wool into yarn.
The chakku is dowel-shaped with both
ends tapering into points. The yarn thus spun is woven into cloth on a loom –
known locally as waan.

Making a pattu fabric is never a one-person job.
Often the entire family contributes to the process. Generally, the men are in
charge of obtaining the wool from the sheep while the women spin the wool into
yarn.  “They do the toughest part,
besides managing household chores,” points out Anwar Lone. Working the loom or waan was usually a task undertaken by
the men in the family.

The 85-year-old Zooni Begum
belongs to the Dard-Shin community and is among the few women in
the valley who can weave pattu. “It
is the only craft I know,” she says, speaking in the local Shina language. Her
son Istiyaq
Lone, a 36-year-old farmer, translates for us. 

“The trade in pattu has stopped now but I still make a
few items like khoyeeh [a traditional
headgear for women] every few months.” With her grandson in her lap, Zooni
demonstrates the process of spinning sheep wool – called pashh
in the Shina language – into yarn using a chakku. “I inherited this art from my mother. I love the entire
process of it,” she says. “I want to continue doing it as long as my hands are
able.”

Pattu
weavers in the Gurez
valley belong to the Dard-Shin (also known as Dard) community, listed as a
Scheduled Tribe in Jammu and Kashmir. Divided across the Line of Control that
runs almost parallel to the valley, the community shares the tradition of pattu and regrets its decline caused by
falling demand, a lack of state support and migration.

Around 40 kilometres east
of Dawar in Baduab village lives weaver Anwar Lone
who is now in his nineties. Laying out a pattu
blanket he made 15 years ago he says, “I used to start my work at eight and
finish it at four in the evening. Later as I grew old, I was able to weave for
just three to four hours.” It would take Anwar roughly an entire day’s work to
weave a metre of fabric.

Anwar started selling pattu around four decades ago. “My
business thrived because of the demand at both the local level and outside of
Gurez. I have sold pattu to many
foreigners visiting Gurez.”

In Achura Chowrwan (or Shah
Pora) village, many have left the pattu business
but siblings Ghulam Qadir Lone, 70, and Abdul Qadir Lone, 71, still carry on
the practice with zeal. Even in peak winter when the valley is cut off from the
rest of Kashmir and most families migrate down, the brothers choose to stay and
weave.

“I cannot recall the exact
age I started weaving but I was very young,” says Ghulam. “We used to make a
lot of things in weaves like charkhana and chashm-e-bulbul.”

The charkhana
is a chequered pattern whereas the chashm-e-bulbul
is an intricate weave said to resemble the eye of a bulbul bird. Crafted with
care, these pattu weaves are rougher
than machine-made fabric.

“Waqt ke saath pahnaave ka hisaab bhi badal gaya [Clothing fashions
have changed over time],” says Ghulam. “But pattu
is the same as it was 30 years ago.” The brothers say they hardly make a
profit these days, selling to locals who shop maybe once a year.

Abdul Qadir says young
people lack the vigour and patience needed to learn the craft. “I believe in
the next 10 years pattu will cease to
exist,” rues Abdul. “It needs new hope and innovation which can only happen
through timely intervention by the government,” he says. 

Abdul Kumar&#39;s son Rehman, who runs a
grocery store in Dawar market, says weaving is no longer a viable option.
“The effort outstrips the profit,” he says. “People have several ways of
earning now. Pehle ya toh pattu tha ya zameendari [Earlier, it was
either pattu or land ownership].”

Gurez is a remote, border area and hardly
receives attention from the authorities. But the weavers say new ideas may
ignite new life into this dying art and make it once again a stable source of
income for the people of the region.

Pattu weaving is fraying at the edges

కనుమరుగైపోతోన్న పట్టూ నేత

நசிந்து வரும் பட்டு நெசவு

ਆਖ਼ਰੀ ਸਾਹ ਖਿੱਚਣ ਲਈ ਜੂਝਦੀ ਪੱਟੂ ਬੁਣਾਈ ਕਲਾ

ଅବଲୁପ୍ତପ୍ରାୟ ପଟ୍ଟୁ ବୁଣା କାରିଗରୀ

അരികുകൾ പിന്നിപ്പോകുന്ന പട്ടു നെയ്ത്ത്

ಹರಿದು ಹೋಗುತ್ತಿರುವ ಪಟ್ಟು ನೇಯ್ಗೆಯ ಅಂಚು

गुरेज़: पट्टू बुनकरों की रेशा-रेशा बिखरती ज़िंदगी

પટ્ટુ વણાટની ઘસાતી જતી કોર

पट्टू बुनकर: टूटत जिनगी के ताना-बाना

पट्टू कारीगर: उघड़ रहल बा जिनगी के बिनाई

বিলুপ্তির মুখে কাশ্মীরের সাবেক পাট্টু বুনন

পট্টু শিপিনীসকলৰ হা-হুমুনিয়াহ আৰু সপোন

وادی گریز سے غائب ہوتی جا رہی پٹّو کی بُنائی

Bandipore

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Pattu weaving is fraying at the edges

In Kashmir’s Gurez valley, a small and ageing population of weavers from the Dard-Shin community struggle to keep their traditional craft alive

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